"Ciemność" - pokaz pracy

"Darkness" - work-in-progress performance

26.11.2016
Art_Inkubator in Fabryka Sztuki in Lodz

"Darkness" - first work-in-progress performance

date: 26.11.2016
time: 19.00
place: Art_Inkubator in Fabryka Sztuki in Lodz, 3 Tymienieckiego Street

Admission is free. 
Rezervation: chorea.warsztaty@gmail.com

The Darkness - it was. It is. And it will be. It surrounds me and it is in me. The Darkness. Is it something bad? No. That's why I'm afraid to embrace her? Darkness reminds me of a black cat, it fawns at my feet, it jumps on my chest and sticks its claws deep in my skin. Darkness isn't something. It is a lack of something. Yet, sometimes I want to nestle in it, and stop the movement of matter.
"Darkness" - is the next stage of cooperation between CHOREA Theatre and blind and visually-impaired young people. This is the result of a six-month workshop practice, and also an attempt to answer the question: what is the meaning of darkness in our lives, and how it is perceived by people who are struggling with it every day. Is the darkness so terrible and evil as it is commonly perceived?

 

Direction: Janusz Adam Biedrzycki, Magdalena Paszkiewicz
Music: Tomasz Krzyżanowski
Musical rehearsals: Joanna Filarska
Light: Tomasz Krukowski
Sound: Marcin Dobijański
Visuals: Paweł Klepacz
Cast: Anna Miotk, Wiktoria Wiejak, Jolanta Jabłońska, Agnieszka Turchońska, Ewa Hrywienicka, Agata Mazurkiewicz, Anna Piekarniak, Klaudia Ambroszczyk, Ewa Otomańska, Aleksandra Ziomek, Grzegorz Nasalski, Wiktor Moszczyński, Tomasz Hołubowicz, Damian Kukiałka, Przemek Bitner, Jakub Durka
Texts: Anna Lyndsey, Stanisław Grochowiak, Adam Mickiewicz, Tomasz Hołubowicz, Ewa Otomańska, Dominika Krzyżanowska Gorzkiewicz, Janusz Adam Biedrzycki
Cooperation: Specjalny Ośrodek Szkolno Wychowawczy nr 6 im. mjr. Hieronima Baranowskiego oraz Ośrodek Szkolno-Wychowawczy im. Róży Czackiej w Laskach

Warsztaty i pokaz pracy realizowane w ramach projektu "Teren otwarty" finansowanego przez Ministerstwo Kultury i Dziedzictwa Narodowego.

 

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